MARTIN WEINSTEIN | Looking Through Times : Southern Vermont Art Center
"(I) Often think of the rapidity with which things pass by and disappear,
both the things which are and the things which are produced.
For substance is like a river in a continual flow…
and there is hardly anything which stands still."
-MEDITATIONS OF MARCUS AURELIUS, BOOK V, MEDITATION 23
MARTIN WEINSTEIN | LookingThrough Times
Feb 21 - June 22, 2025
Southern Vermont Art Center
860 Southern Vermont Arts Center Dr,
Manchester, VT 05254
Cross Contemporary Art Project presents the multi-dimensional paintings of Martin Weinstein at the Southern Vermont Art Center. Weinstein's unique practice of painting on different layers of acrylic sheets, then re-assembling them in a clear plastic enclosure, creates the experience of deep space. In this new series, Looking Through Times, Weinstein plays with this optical illusion by reshuffling the layers and creating dimensional ambiguities.
ABOUT MARTIN WEINSTEIN:
In his extensive career, Martin Weinstein has had over 30 solo exhibitions and more than 50 group exhibitions at galleries and museums nationally and internationally. Media coverage has included Art in America, Artes Magazine, Arts Magazine, Huffington Post, New York Daily News, NY Art Beat, d'Art International Magazine and The Philadelphia Inquirer. Weinstein is the Co-chair of the Friends of AIM Program of The Bronx Museum of Arts and the Co-founder of Art in General.
Selected solo exhibitions include his current exhibition at Lichtundfire, (NYC), Wichita Art Museum (KS); Hillstrom Museum of Art, (MN); MacNider Art Museum, (Mason City, IA); Visual Arts Center, (Sioux Falls, SD); the Fernbank Museum of Natural History,(Atlanta GA); The Parthenon Museum, (TN); Chicago Academy of Sciences (IL), the New York Hall of Science (NY, NY) and most recently, at Castello Spaces in Venice, Italy. More about Martin Weinstein: www.martinweinstein.com
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Martin WeinsteinVenice, Inside Over Outside, 3 Years, 2022Acrylic over multiple acrylic sheets11.5 x 14 x 2.5 inches | 29.21 x 35.5 x 6.35 cm -
Martin WeinsteinGrand Canal, Huge Rococo Mirror, Inside Over Outside, 2022Acrylic over multiple acrylic sheets11.5 x 14 x 2.5 inches | 29.21 x 35.5 x 6.35 cm
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Martin WeinsteinVenice Afternoon Inside Over Evening Outside, 2022Acrylic over multiple acrylic sheets14 x 11.5 x 2.5 inches | 35.5 x 29.21 x 6.35 cm
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Martin WeinsteinVenice, Stormy Mornings , 2021acrylic on multiple acrylic sheets11 x 16 ½ x 2 ½ inches
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Martin WeinsteinVenice, Stormy Evenings , 2019acrylic on multiple acrylic sheets11 x 13 ½ x 2 ½ inches
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Martin WeinsteinRome Midday, Inside Over Outside, 2023Acrylic over multiple acrylic sheets11.5 x 14 x 2.5 inches | 29.21 x 35.5 x 6.35 cm
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Martin WeinsteinRome, Mornings, Inside Over Outside, 2023Acrylic over multiple acrylic sheets11.5 x 14 x 2.5 inches | 29.21 x 35.5 x 6.35 cm
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Martin WeinsteinApartment in Lucca, Sunny Afternoon Inside Over Rainy Afternoon Outside, 2022Acrylic over multiple acrylic sheets14 x 11.5 x 2.5 inches | 35.5 x 29.21 x 6.35 cm
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Martin WeinsteinApartment, Lucca, Afternoon Inside Over Dusk Outside, 2022Acrylic over multiple acrylic sheets14 x 11.5 x 2.5 inches | 35.5 x 29.21 x 6.35 cm
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Martin WeinsteinIrises and River, Evening Under Afternoon , 2021Acrylic on acrylic panels27 x 20.75 x 3 inches
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Martin WeinsteinDogwoods and River, One Afternoon Over Another 27 x 20, 2021Acrylic on acrylic panels27 x 20.75 x 3 inches
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Martin WeinsteinPath, October, Afternoon Over Evening , 2021Acrylic on acrylic panels27 x 20.75 x 3 inches
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Martin WeinsteinPeonies, Three Afternoons , 2021Acrylic on acrylic panels11.5 x 14 x 2.5 inches
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Martin WeinsteinRoses and River, Late Evening Over Early Evening, , 2020Acrylic on acrylic panels11.5 x 14 x 2.5 inches
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Martin WeinsteinFrom the Studio, One Evening Over Another © Martin Weinstein , 2022Acrylic on acrylic panels11.5 x 14 x 2.5 inches
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Martin WeinsteinGarden, November, Afternoon Over EveningAcrylic on acrylic panels11.5 x 14 x 2.5 inches
Inside | Ouside - Martin Weinstein 2023 Solo Exhibition at Castello 780, Venice, IT
with an essay by D. Dominick Lombardi, curated by: Jonathan Rider
