One on One: Contemporary Monotypes : Woodstock Byrdcliffe Guild | Kleinert James Center for the Arts
Artists drawn to the mono printmaking practice are attracted to the possibilities of pigment transfer, image reversal and rich color saturation offered by the medium
The Woodstock Byrdcliffe Guild is pleased to present One on One: A Survey of Contemporary Monotypes & Monoprints on view January 13th - February 26, 2023 with a reception for the artists on Saturday, January 21, 4:00 - 6:00 pm at the Kleinert/James Center for the Arts at 36 Tinker Street in Woodstock, NY.
Curated by Jen Dragon, Byrdcliffe’s Director of Exhibitions, One on One is dedicated to the art of singular printmaking. Although the original purpose of the printing process has been to share information through the production of multiples, monotypes and monoprints contradict this historic function and are presented as unique artworks. From the direct painting on panels or the inking of objects transferred to paper through a mechanical press, to hand-rolling on silk fabric and other alternative surfaces, contemporary artists exploring the monoprint making practice are attracted to the possibilities of pigment transfer, image reversal and the rich color saturation offered by the medium. This capacity for surprise and spontaneity makes monotype printmaking both a creative stimulus for an artist’s practice as well as an end unto itself.
The 26 artists participating in One on One are: Gregory Amenoff, Zoe Anderson, Christine Beneman, Gregory Crane, Ford Crull, Peggy Cyphers, Maxine Davidowitz, Katie de Groot, Mary Anne Erickson, MB Flanders, Deborah Freedman, Randy Garber, Michel Goldberg, Jane Goldman, Brandon Graving, Judy Haberl, Catherine Howe, Catherine Kernan, Jennifer Marshall, Kate McGloughlin, Debra Olin, Eileen M. Power, Wendy Prellwitz, Susanna Ronner, Rhoda Rosenberg and Joanne Simon
About the Curator: Jen Dragon has been involved with art, artists and the arts community for over 35 years and has recently joined the Woodstock Byrdcliffe Guild as the Director of Exhibitions. As a curator, Ms. Dragon has exhibited over 250 artists, installed more than 100 exhibitions both nationally and internationally, and has participated in numerous community-based arts programs including events associated with Walkway Over the Hudson, International Sculpture Day and Kaatsbaan Cultural Park.
About the Woodstock Byrdcliffe Guild: The Woodstock Byrdcliffe Guild is a regional center for the arts located in Woodstock, New York. From its 250-acre mountainside campus and its arts and performance venue located in the Kleinert/James Center for the Arts in the village of Woodstock, Byrdcliffe offers an integrated program of exhibitions, performances, classes, workshops, symposia, and artists’ residencies.The Kleinert/James Center for the Arts presents exhibitions and organizes events that honor both the cultural legacy established by the Byrdcliffe Arts Colony in 1902 as well as contemporary artists in a variety of disciplines. All exhibitions, opening receptions, and gallery talks are free and open to the public.
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Zoe Anderson, Untitled, 2022, 29” x 9.75” inches
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Gregory Amenoff, Untitled I, oil monotype on paper printed at Area 241, Ruby NY,
23.5” x 25” inches 2017 -
Gregory Amenoff, Untitled II, oil monotype on paper printed at Area 241, Ruby NY,
23.5” x 25” inches 2017 -
Gregory Amenoff, Untitled III, oil monotype on paper printed at Area 241, Ruby NY,
23.5” x 25” inches 2017 -
Gregory Amenoff, Untitled IV, oil monotype on paper printed at Area 241, Ruby NY,
23.5” x 25” inches 2017 -
Gregory Crane, Blimps and Balloons (A Memorial), 2002,
hand water color on watercolor monotype ghost, 29.5 x 39 inches -
Gregory Crane, Garden, oil paint monotype, 12" x 31.5" inches
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Maxine Davidowitz, Convergence I, ink monotype on BFK Rives paper, 11 x 11 (image), 17.5 x 20 framed
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Maxine Davidowitz, Convergence II, ink monotype on BFK Rives paper, 11 x 11 (image), 17.5 x 20 framed
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Maxine Davidowitz, Convergence III, ink monotype on BFK Rives paper, 11 x 11 (image), 17.5 x 20 framed
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Katie deGroot, Winterberries, watercolor monotype on paper, 2022 , 14" x 11" inches
courtesy: Galerie Gris, Hudson N.Y.
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Katie deGroot, 4 Yellow Leaves, watercolor monotype on paper, 2022 , 14" x 11" inches
courtesy: Galerie Gris, Hudson N.Y.
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Katie deGroot, 8 Yellow Leaves, watercolor monotype on paper, 2022 , 14" x 11" inches
courtesy: Galerie Gris, Hudson N.Y.
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Mary Anne Erickson
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MB Flanders, Mapping Project I - IV, 2022, Wood blocks, plus stencils, with chine-collé, 12" x12" inches
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Deborah Freedman, Still Waters 1, watercolor monotype, 2022, 18" x 35" paper size 27"x 41"
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Deborah Freedman, Still Waters 4, watercolor monotype, 2022, 18" x 35" paper size 27"x 41"
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Randy Garber, Untitled, 2022, drypoint, stencil, collagraph monoprint, 13.5 x 37 inches
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Michel Goldberg, Atmospherique #1, monotype on paper, 2022
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Randy Garber, Untitled, 2022, drypoint, stencil, collagraph monoprint, 13.5 x 27 inches
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Jane Goldman, Traveling Light: Sightseeing, watercolor monotype on Arches Hot Press watercolor paper, 22" x 30" inches
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Jane Goldman, On the Edge, watercolor monotype on Arches Hot Press watercolor paper, 22" x 30" inches
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Brandon GravingToday: Here l 202339” x 36” mounted on 44” x 40” panelembossed viscosity monoprint on handmade St Armand paper with lithographic ink, graphite, glass and additional media (detail)
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Brandon GravingElusive Prize lll 201254” x 21”embossed viscosity monoprint on Hahnemuhle paper
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Catherine Howe, Orange Violet Bouquet, 2021, acrylic on habotai silk wooden stretcher with canvas backing, 48" x 36" inches (courtesty Winston Wächter Fine Arts, NYC, NY)
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Catherine Kernan, Against the Grain #85, Woodcut monoprint with offsets and viscosity role on Mulberry, 19" x 59" inches
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Catherine Kernan, Against the Grain #100, Woodcut monoprint with offsets and viscosity role on Mulberry, 19" x 59" inches
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Jennifer Marshall
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Jennifer Marshall
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Judy Haberl Dusk #10, Akua ink with watercolor and acrylic inks on mixed fiber rice/mulberry paper 24" x15", 2022
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Judy Haberl, Smoldering Gardens, 2 attached monoprints on Lutradur with cutouts, 45" x 20"
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Judy Haberl Dusk #15, Akua ink with watercolor and acrylic inks on mixed fiber rice/mulberry paper 24" x15", 2022
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Judy Haberl Dusk #16, Akua ink with watercolor and acrylic inks on mixed fiber rice/mulberry paper 24" x15", 2022
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Kate McGloughlin, Summer Solace Series XII, 2022, rolled monotype on paper, 8" x 10" inches
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Kate McGloughlin, Summer Solace Series XI, 2022, rolled monotype on paper, 8" x 10" inches
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Kate McGloughlin, Lonely Cove, 2022, monotype on paper, 8" x 10" inches
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Kate McGloughlin, Ashokan Messages 2022, rolled monotype on paper, 8" x 10" inches
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Debra Olin, Cosmic Inclusion, monoprint, drypoint, 39" x 21"
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Eileen M. Power, The Divine Feminine II, collagraph monoprint on grey Arches BFK paper, 2018
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Eileen M. Power, The Divine Feminine I, collagraph monoprint on grey Arches BFK paper, 2018
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Wendy Prellwitz, Radiance #1, 2021 rolled color monotype on paper, 18" x 12" inches
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Susanna Ronner Shape Conversation II, inked collatype on paper, 2022
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Susanna Ronner Shape Conversation I, inked collatype on paper, 2022
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Christine Beneman, Under Construction XVII, color collograph monoprint, 2021, 30”x 22”
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Rhoda Rosenberg
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Rhoda Rosenberg
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Rhoda Rosenberg
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Rhoda Rosenberg
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Rhoda Rosenberg
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Joanne Simon, You Can't Argue with the Empire, color monotype with collagraph on paper
Curated by Jen Dragon, Byrdcliffe’s new Director of Exhibitions, One on One is dedicated to the art of singular printmaking. Although the original purpose of the printing process has been to share information through the production of multiples, monotypes and monoprints contradict this historic function and are presented as unique artworks. From the direct painting on panels or the inking of objects transferred to paper through a mechanical press, to hand-rolling on silk fabric and other alternative surfaces, contemporary artists exploring the monoprint making practice are attracted to the possibilities of pigment transfer, image reversal and the rich color saturation offered by the medium. This capacity for surprise and spontaneity makes monotype printmaking both a creative stimulus for an artist’s practice as well as an end unto itself.
The 26 artists participating in One on One are: Gregory Amenoff, Zoe Anderson, Christine Beneman, Gregory Crane, Ford Crull, Peggy Cyphers, Maxine Davidowitz, Katie deGroot, Mary Anne Erickson, MB Flanders, Deborah Freedman, Randy Garber, Michel Goldberg, Jane Goldman, Brandon Graving, Judy Haberl, Catherine Howe, Catherine Kernan, Jennifer Marshall, Kate McGloughlin, Debra Olin, Eileen M. Power, Wendy Prellwitz, Susanna Ronner, Rhoda Rosenberg and Joanne Simon.