“Some art wishes merely to be stylish, to make a fashionable fit with the moment. Other art – as ambitious in its way as Ford Crull’s - would like to help us transcend ourselves, to find a way to some realm of thought or feeling where individual differences are overcome."
- Carter Ratcliff
Ford Crull explores the expressive power of personal and cultural symbols in a series of densely painted and vividly colored compositions. Ford uses identifiable images such as hearts, wings, crosses, and the human figure, as well as geometrical emblems and abstract forms whose meanings are less explicit. Words, in the form of cryptic, fleeting phrases, also animate Ford's pictorial world. He employs a myriad of symbols which variously imply a sexual unfolding, romantic suffering, occult wisdom, and transcendental release. These symbols coexist in a psychic atmosphere in which they overlap, dissolve, and reappear with a kind of furious insistence. There is a strong element of the diaristic in his work, with each painting serving as a kind of painterly journal of reflections and reveries, set loose from their origins in specific events. In a wider sense, these paintings constitute a kind of intensive search to wrest meaning from an anarchy of feeling. As meditations on emotional chaos, they enter into a world of competing impulses and simultaneous transmissions, seeking a resolution that is both cathartic and mysterious.
"The key to Crull's vision is his simultaneous embrace of the uncertainties of the contemporary world and his affirmation of the reality of the individual consciousness within it. In his work, the authentic self remains the last bulwark against an anarchic world." - Eleanor Heartney
Ford Crull received his B.F.A. in painting from the University of Washington in Seattle. He also studied at the American Film Institute in Los Angeles. Crull has presented his work extensively in solo and group exhibitions throughout the United States and internationally, including Shanghai, London, and Milan. His work is represented in collections at The Metropolitan Museum of Art, Brooklyn Museum, National Gallery of Art (Washington D.C.), and the Dayton Art Institute, as well as in corporate and private collections such as Coca Cola, IBM Corporation, J.P. Morgan & Co., Mobil Oil Corporation. Recently he has executed live art performances in Shanghai, Seattle and the Woodstock Film Festival.
Now Not Seen...., Jen Williams Dragon, Dart International Magazine Sept. 2022
Portrait of the Artist: Ford Crull, Claudine Williams, Tribeca Citizen December 20, 2021
Noah Becker Interviews Painter Ford Crull, Noah Becker, White Hot Magazine of Contemporary Art, October 27, 2020
Seen and Heard: The Art of Quarantine, Claudine Williams, Tribeca Citizen,September 11, 2020
Ford Crull: New Paintings, Jonathan Goodman, The Brooklyn Rail, December 2015
Ford Crull, John Miller, Art Forum May 1990